Thursday, April 27, 2006

Want A SECOND LIFE?

SECOND LIFE is more even relevant to those interested in Cinemorphics than The Sims (see earlier post). You can check out the SECOND LIFE website HERE .



A VIRTUAL LIFE

A journey into a place in cyberspace where thousands of people have imaginary lives. Some even make a good living. Big advertisers are taking notice

As I step onto the polished wood floor of the peaceful Chinese country house, a fountain gurgles softly and a light breeze stirs the scarlet curtain in a doorway. Clad in a stylish blue-and-purple dress, Anshe Chung waves me to a low seat at a table set with bowls of white rice and cups of green tea. I'm here to ask her about her booming land development business, which she has built from nothing two years ago to an operation of 17 people around the world today. As we chat, her story sounds like a classic tale of entrepreneurship
.
Except I've left out one small detail: Chung's land, her beautifully appointed home, the steam rising from the teacups -- they don't exist. Or rather, they exist only as pixels dancing on the computer screens of people who inhabit the online virtual world called Second Life. Anshe Chung is an avatar, or onscreen graphic character, created by a Chinese-born language teacher living near Frankfurt, Germany. And the sitting room in which Chung and my avatar exchange text messages is just one scene in a vast online diorama operated by Second Life's creator, Linden Lab of San Francisco. Participants launch Second Life's software on their personal computers, log in, and then use their mice and keyboards to roam endless landscapes and cityscapes, chat with friends, create virtual homes on plots of imaginary land, and conduct real business.

To read the rest of the Robert D. Hof article click HERE .

Tuesday, April 18, 2006

Robert Anton Wilson's QUANTUM PSYCHOLOGY

I recently re-read Robert Anton Wilson's QUANTUM PSYCHOLOGY. Wow! If the subject matter of this blog interests you at all, at all you must acquaint yourself (or re-acquaint yourself) with R.A.W. and his world. You can check out the book HERE and check out R.A.W. himself HERE. I have included some comments and a brief overview below.



Philip K. Dick, author of Blade Runner
Wilson managed to reverse every mental polarity in me, as if I had been pulled through infinity. I was astonished and delighted.

Publishers Weekly
Erudite, witty and genuinely scary

Tom Robbins
Dazzlingthe most thrilling tilt-a-whirls and daring loop-o-planes on the midway of higher consciousness.



Sounds, London
The mans either a genius or Jesus.

Ray Tuckman, Broadcaster, KPFK Radio
With his humorous rapier, Wilson pokes and prods our misconceptions, prejudices and ignorance. A quantum banquet.

John Gribbin, physicist
Does for quantum mechanics what Durrell's Alexandria Quartet did for Relativity, but Wilson is funnier.

New Scientist
What great physicist hides behind the mask of Wilson?

Book Description
Throughout human history, thoughts, values and behaviors have been colored by language and the prevailing view of the universe. With the advent of Quantum Mechanics, relativity, non-Euclidean geometries, non-Aristotelian logic and General Semantics, the scientific view of the world has changed dramatically from just a few decades ago. Nonetheless, human thinking is still deeply rooted in the cosmology of the middle ages. Quantum Psychology is the book to change your way of perceiving yourself --- and the universe. The book for the 21st Century, complete with exercises. Picks up where Prometheus Rising left off. Some say it's materialistic, others call it scientific and still others insist it's mystical. It is all of these --- and none.

About the Author
Robert Anton Wilson is the coauthor (with the late Robert Shea), of the underground classic The Illuminatus! Trilogy which won the 1986 Prometheus Hall of Fame Award. His other writings include Schrodinger's Cat Trilogy, called "the most scientific of all science fiction novels" by New Scientist, and many nonfiction works of Futurist psychology and guerilla ontology. Wilson, who sees himself as a Futurist, author, and stand-up comic, regularly gives seminars at Esalan and other New Age centers. Wilson has made both a comedy record (Secrets of Power), and a punk rock record (The Chocolate Biscuit Conspiracy), and his play, Wilhelm Reich in Hell, has been performed throughout the world. His novel Illuminatus! was adapted as a 10-hour science fiction rock epic and performed under the patronage of Her Majesty Queen Elizabeth II at Great Britain's National Theatre, where Wilson appeared in a special cameo role. He is also a former editor at Playboy magazine.

Thursday, March 30, 2006

THE NEXT STEP

As a guide in exploring "the next step" in our Cinemorphic look at the fictitious nature of ego/persona, I highly recommend
THE SCIENCE OF ENLIGHTENMENT by Dr. Nitin Trasi.



To give you a sense of where the Cinemorphics discussion is headed I have also included excerpts of an article by Dr. Trasi below.

Who am I?
Nitin Trasi, India

"Who in the world am I? Ah,that's the great puzzle!"
Alice, in Lewis Carroll's Alice's Adventures in Wonderland.



Human beings can speak, and when a person refers to himself, he uses the first personal pronoun 'I.' But the faculty of human thought is extremely complex, and the "I" of the average man/woman is much more than just a label for referring to himself/herself. It is a complex conglomerate of several things, often little understood by the person himself. In Indian spiritual literature, the complex mechanism of the I (Sanskrit: aham) has been referred to as the "ego" (ahamkaara), and it is said to be lost upon spiritual Awakening (Enlightenment or Liberation).



But this is not easy to understand. How can a person function without the "I"? How will he see himself, or think of himself? How will he act effectively in this complex, intensely competitive world? Will he, indeed, be able to function in ordinary everyday activities and satisfy the demands of professional life, or will he perforce have to retire from it to the seclusion of the mountains, forest or a monastery? In other words, if spiritual Awakening is tantamount to loss of the 'I,' how is this compatible with daily life?

To solve this mystery, we will first have to understand what exactly constitutes the 'I,' what specifically is lost upon spiritual Awakening (and why), and what are the practical and psychological implications of such loss. Such a study will also give us an insight into the psychology of spiritual Awakening and Liberation.



I the label
The 'I' is of course first of all, very simply, a label useful to refer to that particular living unit. Let us call the I-used-as-a-label the I-L (I the label). This `I' is used both by the Liberated sage and the average person.

I the executive unit
But what exactly is it that the label I refers to? When a person says "I," he certainly means something more than just his body, or even his body-mind. The label does refer to an existing (though conceptual or notional), executive or working/decision-making unit, which we can call I-U (I the unit). Every animal is an autonomous unit that behaves and reacts in a certain way at a given point of time because of certain inherent reasons combined with certain external events. We call this "making decisions." Human beings, neurologically developed to the point of self-awareness, know this fact and refer to their own autonomous decision-making unit as 'I'. Thus there is an executive 'I' that functions in day-to-day life and acts and reacts in certain ways. This may be better understood if a human being is thought of as a corporation of several cells, just as a company is a composite of several individuals. I-L is the name of the corporation, and I-U the entity of the corporation itself. This entity, like a company or corporation, has a legal, economic and factual existence, but ultimately it is still a concept. In other words, it is a notional entity. In Buddhist literature, the monk Nagasena is said to have explained this to his king Milinda by using the example of the king's chariot. The chariot is a contraption consisting of wheels, horse and other items put together in a certain way. But dismantle that and where is the chariot? Thus, although the chariot (when so assembled) has a definite physical reality and existence, when dismantled it becomes clear that its "chariot-ness" is nevertheless a concept. So is it with the executive I (the I-U). It is this I that the sage refers to when he says, for example, "I did this." This is a mere statement of fact, not relevant to either claiming of personal credit or admission of personal guilt.

The I-U is thus an arbitrary (conventional), working classification, immensely useful in daily life. But because humans, like most other animals, are physically disparate, we tend to forget that this is so, and we consider people to be separate 'skin-encapsulated' entities. This distinction is less obvious say in a case of severely conjoint (Siamese) twins where it is difficult to say exactly where 'one' of them ends and the 'other' begins, or even, say in the much more common instance of a pregnant woman. Is the foetus part of her 'self,' or is it an 'other'?



I the mental image
Because we are thinking, self-aware animals, we also have a mental image of "ourselves." This too forms a part of the conglomerate I. This is a composite of past memories regarding ourselves (past experiences), what others have said about us, and so on. This is the I-M. In effect, this, as psychologist Ken Wilber has put it, is simply a "bag of edited memories."

It is the I-M that is spiritually significant, because it is the cause of self-centred thinking and mental conditioning, self-centred expectations, and consequently of much avoidable suffering. In spiritual terms, it is this that is referred to as the 'ego,' which is different from the use of that term in Freudian psychology. In Indian philosophy it is called ahamkaara. This is also the apparent doer of 'our' actions. The actual doer is the I-U (to put it more accurately, the I-U is, by convention, considered the doer of the action so that we do not constantly have to talk in the passive voice). The I-M is only the apparent, and not the real doer. It is actually no more than a mental construct or image, without substance, and has no real (physical or `spirit'-ual) existence. Thus the authorship of deeds is laid at the door of an entity which does not really exist, except as a mirage or a memory. This false sense of doership is called "kartruttva bhaava" in Indian philosophy. This error of understanding is at the root of all sense of pride, guilt and moral blame. It is this `I' which the ordinary man refers to when he says "I did this." It is a statement pregnant with pride or guilt, a statement in which one of these two is naturally immanent, inherent. Contrast this with the sage's meaning when he makes a similar statement (earlier paragraph).

The I-M which is ordinarily considered the doer, has no real existence. And the I-U is merely the notional doer, a figure of speech used for convenience of language. Deeds occur according to the fixed laws of Nature (the clear mirror, reflecting faithfully) and the inherent nature of the organism interacting with the environment (forms reflected).

The difference between the I-U and I-M may not be easily apparent at first glance. So let us elaborate a little. The I-U is a notional centre, location or locus where decision-making takes place, rather than an entity or a 'person' who "decides." It is a "where" rather than a "who." Psychologist B.F.Skinner said that we are "a place in which certain genetic and environmental causes come together to have a common effect" and that although we take credit for our ideas as if we created them out of an act of will, we are really just a "place where ideas happen." Ideas, he said, happen inside us much as an egg happens inside a hen 7.

At the end point of Final Liberation (see later), the "who" that appeared to make decisions (the I-M, a self-image) has disappeared, yet effective decision making continues to occur, because the "where" that decisions took place (the I-U) is unaffected. In fact, the process of decision-making happens more efficiently, untrammelled by unnecessary fears and anxiety about personal credit or risk (which was related to the I-M). At the same time, since there is no "one", no "who" to claim authorship for the action, there is none to take delivery of pride or blame either.

I the self or soul
Finally, there is the ultimate "realification" of the I. The final imbuing with life, in which a belief is superadded that this I is a separate entity by itself over and apart from all that we have just mentioned - something that will survive the death of the body and reincarnate in another body (or go on to enjoy an afterlife). This is I as the soul or spirit or self - the I-S - typified by the question "What will happen to ME after I die?" (If the me or I is dead, how can anything happen to it after that?). In Indian spiritual literature this is referred to as the jivatman (pronounced "jeevaatmaan"), the (apparent) individual 'soul' (see note at end of article). Even if the person does not believe in the soul or afterlife, there is still the conscious or unconscious belief in (and identification with) a `me' which exists during life, and which passes through the different stages of life - from birth to youth to old age to death. There is the belief in the continuity of a 'me' which is seen as going through time in a linear fashion.

The difference between the I-M and I-S? The I-S comprises the conscious or unconscious belief in the actual existence of the self. In other words, it comprises the identity of (and identification with) the presumed self. The I-M comprises its body or description - it describes the self (for example, as a businessman or engineer or doctor, with a particular life history, and so on).

Thus the I-S is the I-M (or self-image) further crystallised in thought and belief to the extent that it is mistakenly considered to be an independent self-entity, a 'me,' residing in the body, which passes through the different stages of life, and that, after the death and dissolution of the body, perhaps even survives into an after-life.



Enlightenment and Liberation
The proper understanding of the entire psychology of the I ultimately leads to the actual seeing of the I-S as false, as just a belief. The actual perception of (or insight into) this fact is Enlightenment. It is important to understand that when the actual recognition occurs, it is intuitive rather than intellectual, a matter of instant, intuitive perception and recognition rather than mentation or cerebration, a matter of insight rather than intelligence. As this is a shift in perspective, it happens suddenly (a paradigm shift). It may well happen in a series of small sudden shifts, but the classical description in spiritual literature is that of one massive shift. The shift is attended by a great sensation of relief, partly because of the sudden loss of a mental load, the spiritual baggage, partly also because of the sudden freedom from further spiritual self-expectations. This marked sense of relief has been likened to a man taking off a heavy burden which he has been carrying on his head, or of a man coming out of the scorching sun into the cool shade. Because of the nature of Enlightenment, further spiritual maturation (it is no longer seen as spiritual "progress") is seen to occur spontaneously rather than from directed efforts towards that end.

As a natural result of seeing the I-S as false, the spontaneous dismantling of the I-M is initiated (primarily because of lack of reinforcement of conditioning). This is the process of Liberation. At the ultimate end-point of Liberation ('Final' Liberation), the I-S has already long been seen as false, and now the I-M has practically vanished as well (except the spiritually insignificant bare minimum required for efficient daily living - see later). All that is left is the I-U (the notional executive unit comprising the body and mind) and of course the I-L, the label. The I-U is now able to work completely untrammelled by the burden of self-centred memory and expectation hitherto imposed by the I-M and the spiritual baggage and imposition resulting from the belief in the I-S. It is truly Liberated. It is also full of spontaneous love because it was the I-M which created the duality of the me and the other. Now, although the me and the other remain as executive units (I-U and O-U), they are merely technical, functional, day-to-day classifications for convenience. The "I-ness" of the I and the "otherness" of the you is lost and there is therefore no basis for alienation, enmity, blame, envy.

What exactly do we mean by the "bare minimum" of I-M required? A certain bare minimum of I-M will be necessary for any person for efficient daily functioning in his chosen vocation, whatever that may be. But the pertinent difference is this: Whereas the average man feels exalted by perceiving "himself" (I-M) as a "success" and crushed by perceiving himself as a "failure," the Liberated person may be pleased and disappointed respectively by the `successes' and `failures' in the particular individual tasks or enterprises that he undertakes, but he does not perceive or label himself [the I-M] as "a success" or "a failure." As a result, whatever the Liberated one may think himself to be or however he may see himself (insofar as it is necessary for his efficient daily functioning), this (his 'bare necessity' I-M) does not affect his happiness.

Another aspect of liberated living that is at least as important as valuation, is continuity through time. What the I-U adds to I-L is the notion of agency; and what the I-M and even more so, the I-S add to both is the notion of continuity. The Liberated person is liberated from the sense of continuity in time, meaning that he has understood, nay, seen, that this continuity is an illusion, much like the apparent continuity of the various stills of a motion picture when shown in quick succession. Bereft of this life-giving continuity in time, his I-S dies a quiet death, and the I-M is starved to exhaustion - practically vanished, virtually absent or spiritually insignificant. In the case of the average person, it is his warped sense of continuity that has him clinging to past or future (as "his" past or future, in relation to his I-S and I-M). By not accepting the past as past or the future as future, he does not allow his "whole" self to step into his own present. The Liberated one, on the other hand, does not cling to the experiences, but moves on. This is what is called living in the "HERE and NOW" and "dying" to the past, to every moment as it passes, as philosopher J.Krishnamurti repeatedly emphasised.

So enlightenment is not incompatible with a notion of `myself' (`bare minimum' I-M) as (apparently) continuous with time, but with (a) whether this valuation is taken so seriously that it affects one's happiness, and (b) whether there is clinging to past or future in a way that rips away attention from the present 9,13

Conclusion
There is in reality no individual in the sense of a spiritual "who" that will reincarnate and is morally answerable for 'his' or 'her' deeds, but there is a definite biological "where" in which (or where) decisions are made (volitional centre). The "where" is more of a scientific locus, as opposed to the "who" which is a religious or ontological concept or assumption. (Thus volition, or an appearance of it, may be said to exist at an everyday, conventional level in that sense. It is not really volition itself that is being denied, but rather the "who" that is supposed to "have" it).

Ironically then, Enlightenment is the very perception (seeing) of the absence of a real self or I (as is generally thought to exist) - and thus inevitably, of the absence of any I who could "be Enlightened." Ironically then, Liberation is being Liberated from the tyranny of the very I who seeks Liberation! In other words, it does not happen TO an I, it happens FROM an I!

And to whom does Liberation happen? Whom, indeed! Ironically then, when Liberation happens, the "whom" has disappeared!

The realisation of this truth has been likened to the peeling of an onion, where successive layers of the I are seen to be false. The I-S is the most false. It is just a thought or belief in the mind. The I-M is a concept which has an existence but only as a mental image, a "bag of edited memories." The I-U is a notional entity that has a definite and required existence as a working concept. The I-L is just a word, a label.

In the end, like the peeled onion, there is nothing - shunya. And yet this nothing is everything, for it feels a love and compassion which encompasses the whole of creation. Though it functions most efficiently in the proximate, everyday world, yet it sees no separation between itself and the rest of the world. For, how can nothing be different from nothing?

What exactly is this shunya, nothing or 'not I' that is left after Liberation? Let us try to understand this further. Whatever we think we are is ultimately a thought, and therefore the content of (`our') consciousness (however refined or subtle). But surely, if we go on eliminating thus, we cannot but reach the inevitable conclusion that what we really are can only be consciousness itself - in its human mode or manifestation, recognisable as aware-NESS. It cannot know itself, for whatever it knows is its content. In other words, whatever it is aware of is its content, so it cannot be aware of itself. Regarding itself, it can only be aware, period. Consciousness, though not "felt" in that sense of the term, is however identifiable (after Liberation) as the irreducible sense of anonymous presence (awareness of presence or pure presence) upon which all other phenomena (or sensations) are displayed (the content), like the screen upon which the pictures are projected.



Thus the experience of nirvana or Liberation is not something esoteric, otherworldly, magical or superhuman. It is simply the awareness that forms the background and basis of all our sensations. It is the elemental sense or sensation present and `felt' as an undertone to all other sensations at all times by the enlightened. It is present in the unenlightened too, but goes completely unnoticed by them in the hurly-burly and din of daily living. The difference in the enlightened is not in the manner of daily living, but in the inner silence that enables him to be keenly alive to this primal awareness that is the core and basis of his very being. This, the 'not I,' or the I-that-is-left, is then the same as what has been called Reality, Truth, or God:

What does it feel like? Although not an experience in the ordinary sense, the 'flavour' of this basic awareness or pure presence is described as a positive, benign, causeless, contentment. It is the ananda (contentment, peace) of Indian spiritual literature. It is the ananda (contentment of being, joie de vivre) inseparable from the sat-cit (true, core, basic presence or being), thus giving rise to the familiar Hindu description of consciousness as sat-cit-ananda.

...

About Enlightenment
It was promised earlier in this article that such a study of the 'I' would also give us an insight into the psychology of spiritual Awakening and Liberation. To reformulate and recapitulate, we can now easily understand the following the points about Enlightenment in brief:
The sudden insight into the real nature of the I results in a complete change of perspective on life. The hitherto strong ego-centric perspective of the average person changes to a softer, broader perspective which allows many more points of view and possibilities.

Such sudden insight into the nature of the I with its accompanying sudden change of perspective is termed Enlightenment in the Eastern spiritual tradition.

Enlightenment and its changed perspective lead to a process of de-conditioning from the effects of the earlier egocentric conditioning which had built up throughout life. This is the process of what has been called 'Liberation.'

As the layers of the I soften and dissolve, the obstructions decrease to the 'feeling' of the primal consciousness, the sentience (prajna) which animates the body and is our very being. The inherent 'taste' of this being-consciousness can be described as ananda, or causeless contentment or peace, the "peace that passeth understanding."

Paradoxically enough, daily life goes on even more efficiently than before as the executive-I functions untrammelled by the nagging botheration caused by the unreasonable anxieties, phobias, biases, and fears linked to the soul-I (I-S) and the ego-I (I-M).

What about the ordinary pleasures of everyday life? Are they lost? Or are they engulfed by an overwhelming bliss that is continuously felt after Liberation?

Neither. The daily pleasures are felt and enjoyed even more keenly, because they are enjoyed fully, wholly and whole-heartedly. But there is no clinging to them as in the average person. And the reason why there is no clinging is that there is constantly the intuitive understanding, insight or sensing that it is the consciousness upon which they are projected, and without which they would not be felt, which is abiding and important. It is intuitively known that the passing pleasures come and go, but the primal consciousness and its inherent taste, ananda, abides and is the basic necessary condition for them to be felt and experienced at all, anywhere, anytime.



Characteristics in Brief
Typical `average' person

* Thought: Restlessness (Nihilism to absolutism)
* Action: Confused (Over-control to impulsiveness)
* Emotion: Temperamental (Inhibition to emotionalism)
* Attitude/perspective: Self-centred
* Moods: Fluctuating, totally dependent on circumstances (external or internal)

Advanced seeker

* Thought: Emptiness (effortful or contrived)
* Action: Surrender (volitional)
* Emotion: Detachment or non-clinging (contrived, rationalised)
* Attitude/perspective: Un-self-centred (learnt, trained or habituated)
* Moods: Steadily composed, not fluctuating, not dependent on circumstances (external or internal). Result of training.

Final Liberation

* Thought: Mindfulness (natural, effortless, spontaneous)
* Action: Spontaneous (easy, appropriate, flowing)
* Emotion: Compassion (karuna) and loving kindness towards all (Buddhism: metta), both of which are natural, spontaneous - a result of dissolving of the me/other distinction.
* Attitude/perspective: Completely un-self-centred. Natural, not result of training.
* Moods: Easy, possibly fluctuating, dependent on circumstances (external or internal), but only on the 'surface.' Deep mood firmly anchored in the "inner peace" (ananda), which is the necessary sub-stratum of all sensations and hence always present.



References:
1. The Teachings of Bhagavan Sri Ramana Maharshi In His Own Words edited by Arthur Osborne, 5th Ed., Ramanasramam
2. A Search in Secret India, Paul Brunton, B.I.Pub.,1970, reprint 1994.
3. Srimad BhagavadGita-Rahasya by Bal Gangadhar Tilak, English Translation by Bhalchandra Sitaram Sukthankar, 6th Ed., 1986, Geeta Printers, Pune.
4. The BhagavadGita, Gita Press, Gorakhpur, India. 5. The Last Talks, J.Krishnamurti, K.F.I., Pub.1989, Reprint 1992.
6. The Wholeness of Life, J.Krishnamurti, K.F.I., 1978.
7. Introduction to Psychology, Morgan, King, Weisz and Schopler, Pub.Tata McGraw-Hill, 7th Ed, p.595 *(B.F.Skinner).
8. The Science of Enlightenment, Nitin Trasi, D.K.Printworld (P) Ltd., New Delhi, 1999.
9. The Inner Rhythm of Enlightened Activism, Gary Schouborg, website: www.somawake.com Email: gary@somawake.com
10. The Bhagwad Geeta with the commentary of Sri Sankaracharya, English translation by Alladi Mahadeva Sastry, Pub. Samata Books, Madras, 1977 Ed., (1992 Reprint).
11. Srimad Bhagavad Gita, Swami Swarupananda, Advaita Ashrama, 1996, Calcutta
12. Sufism, William Stoddart, Suhail Academy, Lahore, Pakistan, 1981.
13. Enlightenment in Action: Somatic Feeling and Time, Gary Schouborg, website: www.somawake.com , Email: gary@somawake.com

Monday, January 16, 2006

CINEMORPHICS GROUPS

Since I began publishing this blog in mid October of last year, I have gotten a lot of questions about the availability of private or group sessions and workshop/seminars in Cinemorphics. If you are new to Cinemorphics I recommend that you read the Cinemorphics FAQ (click on CINEMORPHICS FAQ link or go to October Archives of blog…Saturday, October 15, 2005 posting.) as well as the entire blog to better understand the rationale behind the approach described below, how the "actor" designation fits in, and what the result for the "actor" is likely to be. In short, we are all "actors" and as Shakespeare said, "All the world's a stage…".

In response to this interest in Cinemorphics consulting, I am currently in the process of forming several small "actors coaching" groups (4-8 "actors" each). I am working with small groups rather than individuals because I have found that, much like in a play or ensemble film, this approach creates a dynamic that reinforces and enhances effective character development.



The method that I am using in the beginning stages of group formation relies as much upon the form of the actor-coach interaction as the content. The "sessions" do not occur on a set schedule in a particular place (office, stage, etc.) but, rather, occur in the "real" world (coffee house, park, hotel lobby, etc.) on a variable schedule of "odd" times. These "sessions" can almost feel like cloak and dagger meetings among operatives in a spy movie or a band of international jewel thieves planning their next caper. This procedure results in a "breaking of the mold"…the typical method of arranging a series of appointments at a common location, and a new "re-casting"…acting "out of character" from the very beginning. This primes the pump for the re-writing and re-performing of the personas of the actors (in any given small group) that will follow, as well as creating an atmosphere of real life game-like intrigue…a zone outside of, ordinary, day to day, habituated reality.



If you would like to become a part of one of these groups, email me at
cinemorphics@yahoo.com. Describe your interest and ask questions. I will reply via email and suggest a time and place for a first meeting, if appropriate.

Thursday, December 29, 2005

YOUR LIFE IS A MOVIE

Below is the opening paragraph of a piece by Nichloas Rombes entitled
YOUR LIFE IS A MOVIE, The Surveillance Culture as Entertainment which has interesting implications for the practice of Cinemorphics.



Today, a second-order reality threatens not to replace the Real, but to expose it as a threat. The final threat. We have been prepared for this by movies like eXinstenZ and The Matrix and Minority Report, which have helped to transform fear into desire. "Big Brother" is no longer a source of anxiety, but of fascination. The Department of Defense's central research arm, the Defense Advanced Research Projects Agency (DARPA) maintains a web site that speaks of "truth maintenance" and "story telling." In an older version of the website, there was this sentence: "Total information awareness of transnational threats requires keeping track of individuals and understanding how they fit into models."

Sunday, December 25, 2005

JOHN BARRYMORE QUOTATIONS

John Barrymore is reported to have said the following:



A man is not old until regrets take the place of dreams.

America is the country where you can buy a lifetime supply of aspirin For one dollar and use it up in two weeks.

Die? I should say not, dear fellow. No Barrymore would allow such a conventional thing to happen to him.

Happiness often sneaks in through a door you didn't know you left open.

I am thinking of taking a fifth wife. Why not? Solomon had a thousand wives and he is a synonym for wisdom.



I would like to find a stew that will give me heartburn immediately, instead of at three o clock in the morning.

In Genesis, it says that it is not good for a man to be alone; but sometimes it is a great relief.

Hollywood is like the seven headed sea monster from the Bible. Or maybe it’s the actors. Each has at least seven personalities. I know I do.

Love is the delightful interval between meeting a beautiful girl and discovering that she looks like a haddock.

My wife is the kind of girl who will not go anywhere without her mother, and her mother will go anywhere.



Why is there so much month left at the end of the money?

Saturday, December 24, 2005

ANOTHER CLUE



The HISTORY of acting…

The first recorded case of an actor performing took place in 534 B.C. (probably on 23 November, though the changes in calendar over the years make it hard to determine exactly) when the Greek performer Thespis stepped on to the stage at the Theatre Dionysus and became the first person to speak words as a character in a play. The machinations of storytelling were immediately revolutionized. Prior to Thespis' act, stories were told in song and dance and in third person narrative, but no one had assumed the role of a character in a story. In honour of Thespis, actors are commonly called Thespians.

Theatrical myth to this day maintains that Thespis exists as a mischievous spirit, and disasters in the theatre are sometimes blamed on his ghostly intervention.

Friday, December 23, 2005

A HINT

JOHN BARRYMORE

Thursday, December 22, 2005

A PUZZLE

What do these images have in common?



Wednesday, December 14, 2005

EXTREME PERSONALITY MAKEOVER

Below is an excerpt from a
WIRED article that somebody turned me on to. This stuff is way beyond Cinemorphics and the "Method"…edging into Nano Vogue, only not as changeable.



"Sick of your lazy, cheating spouse? Ready to dump your nagging girlfriend? Don't give up - they can be changed. A growing list of personality traits has been linked to individual genes, and scientists are finding ways to tweak them. Yes, this stuff is largely experimental, but someday DNA could save your relationship. So, young lovers, are you ready to skip couples counseling and go straight to gene therapy? Here are some behaviors ripe for reengineering…"

Check out the article via link, above…

Wednesday, December 07, 2005

NANO VOGUE

An associate of mine reminded me of a futuristic TV series proposal that I wrote a number of years ago that included an episode summary entitled NANO VOGUE which hints at what a Cinemorphic technology might be like a hundred years from now (or maybe sooner). Here's the summary:

"A Parisian designer debuts his new collection. By using his cutting edge neurochemical/nano-shapeshifting technology, fashionistas can select from his new generation of persona/body/sex design configurations, which enable physical and psychological malleability, changing these configurations as they would clothes. The world military and covert operations coalition attempts to suppress and commandeer the designer's innovation, but since, by this time, the fashion industry is more powerful than any government or military group, they loose."



Here are some excerpts from an ARTICLE that appeared last year:

Frederic Zenhausern, director of the Applied NanoBioscience Center at ASU, has joined with Ghassan Jabbour, a professor at the University of Arizona, to develop two prototypes of "biometric bodysuits" that contain embedded sensors, power sources, microfluidic devices and other gadgets not normally associated with the latest Paris fashions…



…The civilian one can monitor your heart or blood pressure, deliver interactive games or simply work as a wearable computer. You will even be able to download new colors and patterns from the Web to change your appearance…

…And it could all be made to look stylish by blending the electronics with high-fashion designs, he said.

Persona as fashion…

Saturday, December 03, 2005

CHARACTER ADDICTION

Notes:
Someone emailed asking if I have ever encountered what might be termed "character addiction", i.e. someone who either "falls in love" (love an addiction?) with a character they are playing in a movie or play or creating a new persona for themselves which may be addictive in an unhealthy way. I addressed this very briefly in an early post, CINEMORPHICS - Observations 1, in the October Archives. To elaborate a bit...

I know some actors REALLY like to play certain types of characters because of the attributes of these types. An example would be a powerful character, e.g. a king or a mob boss or cop. The power of the character being acted feels good to the actor and becomes very seductive. I "real" life, I can see how this could create problems. (This is not the same thing as creating a persona who drinks becoming addicted to alcohol. The addiction is probably to the alcohol, not the persona.)



If you create a persona that really "works", really "plays" it makes you feel good…in the groove. If this groove habituates and you find that you have to exaggerate the aspects of this persona to continue to make it "work", the persona could be creating a dependency. We are probably all "addicted" to our egos to begin with. The ego can be very demanding. It kicks and screams if not attended to properly. This is what could be considered one of the "subtle" or invisible addictions referred to in the excerpt below from the article DRUG ADDICTION VERSUS DRUG WAR ADDICTION. Interesting stuff…addiction to "reality"?

"Addiction comes in many forms, shapes and sizes. The major ones include: alcohol addiction, tobacco addiction, caffeine addiction, drug addiction, pornography addiction, sex addiction, gambling addiction, and computer addiction (including on-line gaming addiction). Then, there are the so-called "subtle" or invisible addictions, which include addiction to work (workaholics), addiction to power (megalomania), addiction to money (miserliness), addiction to approval ("people pleasing"), addiction to reading (bibioholics), addiction to spirituality (the "silent" or taboo addiction), addiction to beauty ("attraction"), addiction to obsessive thinking (rumination), addiction to emotion (anger or tears), and addiction to certain foods (chocoholics)."

Thursday, December 01, 2005

HIATUS



I will not be posting on as regular a basis until after the first of the year. I look forward to receiving questions, comments, criticisms, inspirations, etc. at cinemorphics@yahoo.com.

Wednesday, November 30, 2005

ART DIRECT YOURSELF

NOTES:
As in planning and shooting a movie…locations…SETS…where you live and work…what bars and restaurants you hang out in. Your car. "Props"…cell phone, eyepod, briefcase…a cane? How you decorate and light your house/apartment...



All of these are extensions/expressions of character/persona/self, and should be taken into consideration…changed around as you re-write and re-act yourself.

In Cinemorphic seminars, groups or sessions skilled professionals in these areas collaborate with you in accomplishing these changes.

Tuesday, November 29, 2005

COLLABORATION

Motion picture production is a collaborative effort.

There is great power in collaboration, between and among producer/writer/director/actor/cameraman/editor, etc.

This is not movie making by committee.

At its best, it can foster a potent alchemy of creativity and imagination…and the synergistic power of a "third mind" emerges. The movie just finds the groove…like jazz improvisation…and plays itself.

The same is true of the practice/play of Cinemorphics.

Monday, November 28, 2005

WILD TALENTS

At this point we should probably ask an important question. How is it that human beings are even capable of using procedures like Cinemorphics? What "wild talents" do we possess that afford us this option? Too often these attributes may be taken for granted…until someone gives us a Zen-like whack on the head and wakes us up.

Indeed, cosmographer and speculative scientist Charles Fort (1874-1932) published a book entitled WILD TALENTS in which he does discuss the extravagant natural abilities of human beings, but, as enlightening and amusing as Fort can sometimes be as he whacks us, it is probably wise not to travel down that road in this discussion.



Instead, I suggest we take a long look at THE CREATED SELF, REINVENTING BODY, PERSONA AND SPIRIT by psychologist Robert J. Weber, who reminds us that we are now at a stage in our evolution where our self-awareness, imagination, intelligence and "wild talent" are developed to such an extent that we can go about consciously re-constructing ourselves.



Kenneth Gergen says of THE CREATED SELF:
"In today's culture, the self is considered largely a work in progress. Our bodies can now be altered and extended in ways previously undreamed of; our personas are constantly assuming multiple roles in the course of our daily lives; and we seek spiritual fulfillment in myriad traditional and nontraditional cultures, both sacred and secular. Yet as we constantly reinvent ourselves, how do we balance freedom and flexibility with integrity and unity? Using the insights of William James and evolutionary psychology as a springboard, the innovative psychologist Robert J. Weber explores the new, shifting self."

THE CREATED SELF (and other theoretical readings mentioned in this blog) opens the discussion about contemporary humans becoming equipped to self-consciously manipulate their bodies, personas and spirituality.

How this is accomplished operationally, as we have begun to sketch and will continue to explore, is another matter.

Sunday, November 27, 2005

ROBERTA BREITMORE

Check out the Sunday, November 27 issue of the NEW YORK TIMES for an article about artist Lynn Hershman Leeson, part of which deals with her notorious Roberta Breitmore project. I have included a brief excerpt from the article below:



"…she conjured up Roberta Breitmore, her most sustained character study. From 1974 to 1978, while Ms. Hershman Leeson was a wife and mother trying to make it in San Francisco as an artist, Roberta was a divorced woman new to town, trying to make it on her own. The artist brought her to life by wearing a blond wig, applying heavy makeup and adopting a set of rather depressive tendencies.

Other performance artists in the 1970's were also creating characters to untangle the knots of identity and gender, but Roberta was no one-act wonder. She had her own slumped posture, slow gait, colorful outfit, loopy handwriting, odd jobs and romantic encounters. In time, Roberta acquired a driver's license, two credit cards and her own apartment.

"Everyone thought I was crazy," the artist said. "But I rented Roberta an apartment across the street from my house. I just didn't feel her life would be complete without her own space."

Interesting take on bringing a fictitious character…or a new persona…to "life".

Saturday, November 26, 2005

ACT NOW!

Here's another very useful and practical BOOK, about which Talia Shire says,
"Destined to become the classic handbook for using acting techniques in everyday life."

Friday, November 25, 2005

DREAMING IN CHARACTER, cont.

If you Google "dreaming in character" all sorts of interesting stuff turns up…lots of situations where actors start "dreaming in character" while doing a part, or gamesters start dreaming from the POV of their game character. Here's one example from an ARTICLE about the actor Peter Krause:



That Krause's work bleeds into his personal life is no surprise given how deeply he immerses himself in his roles. In the past he's been so preoccupied with Nate's plight in Six Feet Under that he's found himself dreaming in character. The strain of portraying these troubled souls has even manifested itself physically. "My lowest point was probably right before We Don't Live Here Anymore," Krause says. "I had this really bad case of hives all over my body from the stress."

Thursday, November 24, 2005

DREAMING IN CHARACTER

As part of the process of creating a new character for yourself try to dream as if you are that character. Meditate on this for a few minutes before going to sleep and see what happens. This is like learning a foreign language and dreaming in that language.



Here are some of the responses to the question "Have you ever dreamed you were someone else?" asked in a discussion group on BELIEFNET.COM:

"Many years ago, I had a dream that I was someone else...it has always intrigued me and I've wondered if it is a possible vision of a past life. Has anyone else dreamt of being someone other than yourself?"

"All the time. I am rarely myself in a dream. Usually it's completely made up dream-characters I identify with, sometimes I also change identification during the dream. It also happens that I dream I am a character from a movie or book, even non-human ones."



"Interesting...I have also dreamed that I was a character in a cartoon, but I was still me. The other dream was very bizarre because I knew it wasn't me physically, but I knew all the thoughts and emotions of this old woman. And I saw things through her eyes...like tunnel vision almost. Glad to know, though, that others have had similar dreams."

…etc. Check out the site for more and remember, as Willie Nelson said, "Be careful what you're dreaming…soon your dream'll be dreaming you."